Introduction to Roland Barthes's Mythologies: Semiotics Part 2
Film & Media Studies
Introduction to Roland Barthes's Mythologies: Semiotics Part 2
22:17
An Introduction to Semiotics
Film & Media Studies
An Introduction to Semiotics
19:44
Robin Wood's "An Introduction to the American Horror Film" / "American Nightmare"
Film & Media Studies
Robin Wood's "An Introduction to the American Horror Film" / "American Nightmare"
20:27
Introduction to the French New Wave
Film & Media Studies
Introduction to the French New Wave
18:09
Introduction to Italian Neorealism
Film & Media Studies
Introduction to Italian Neorealism
23:29
Un Chien Andalou (1929) and Surrealist Cinema
Film & Media Studies
Un Chien Andalou (1929) and Surrealist Cinema
23:12
Introduction to Surrealism and Surrealist Cinema
Film & Media Studies
Introduction to Surrealism and Surrealist Cinema
19:37
The Cabinet of Dr. Caligari: From Caligari to Hitler
Film & Media Studies
The Cabinet of Dr. Caligari: From Caligari to Hitler
18:31
German Expressionism's Influences
Film & Media Studies
German Expressionism's Influences
13:01
Introduction to German Expressionist Cinema
Film & Media Studies
Introduction to German Expressionist Cinema
19:36
Stanley Cavell's The World Viewed
Film & Media Studies
Stanley Cavell's The World Viewed
30:01
2 Modes of Film Analysis: Poetics vs Hermeneutics
Film & Media Studies
2 Modes of Film Analysis: Poetics vs Hermeneutics
19:55
The Four Levels of Meaning in Film Interpretation
Film & Media Studies
The Four Levels of Meaning in Film Interpretation
20:12
Mulvey's "Visual Pleasure and Narrative Cinema" and Psychoanalytic Theory
Film & Media Studies
Mulvey's "Visual Pleasure and Narrative Cinema" and Psychoanalytic Theory
24:55
Christian Metz's The Imaginary Signifier: Psychoanalysis and the Cinema
Film & Media Studies
Christian Metz's The Imaginary Signifier: Psychoanalysis and the Cinema
17:25
Siegfried Kracauer's Theory of Film
Film & Media Studies
Siegfried Kracauer's Theory of Film
32:01
Siegfried Kracauer's "The Mass Ornament," Explained
Film & Media Studies
Siegfried Kracauer's "The Mass Ornament," Explained
23:51
Gilles Deleuze's Cinema Books Part 3: The Frame
Film & Media Studies
Gilles Deleuze's Cinema Books Part 3: The Frame
24:48
Gilles Deleuze's Cinema Books Part 2: The Movement-Image Ch. 1
Film & Media Studies
Gilles Deleuze's Cinema Books Part 2: The Movement-Image Ch. 1
42:12
Gilles Deleuze's Movement-Image and Time-Image, Explained
Film & Media Studies
Gilles Deleuze's Movement-Image and Time-Image, Explained
41:15
How Cinematography in It Follows (2014) Challenges Slasher Horror
Film & Media Studies
How Cinematography in It Follows (2014) Challenges Slasher Horror
17:42
Slasher Horror and Film Form: Killer POV and the Jump Scare
Film & Media Studies
Slasher Horror and Film Form: Killer POV and the Jump Scare
13:24
Introduction to Film Genre, Part 1
Film & Media Studies
Introduction to Film Genre, Part 1
17:09
Andre Bazin's "The Myth of Total Cinema"
Film & Media Studies
Andre Bazin's "The Myth of Total Cinema"
20:43
Art Cinema Narration, Part 2: Moonlight
Film & Media Studies
Art Cinema Narration, Part 2: Moonlight
16:34
Hito Steyerl's "In Defense of the Poor Image"
Film & Media Studies
Hito Steyerl's "In Defense of the Poor Image"
21:02
Digital Photography, Truth Claims, and C.S. Peirce's Indexicality
Film & Media Studies
Digital Photography, Truth Claims, and C.S. Peirce's Indexicality
24:50
What is Art Cinema Narration?: In the Mood for Love (Wong, 2000)
Film & Media Studies
What is Art Cinema Narration?: In the Mood for Love (Wong, 2000)
17:57
What is Classical Hollywood Narration?
Film & Media Studies
What is Classical Hollywood Narration?
14:12
Plot Vs Story
Film & Media Studies
Plot Vs Story
3:06
Roland Barthes's "Death of the Author," Explained
Film & Media Studies
Roland Barthes's "Death of the Author," Explained
18:46
Christian Metz's Film Semiotics Part 2: Syntagmatic vs Paradigmatic
Film & Media Studies
Christian Metz's Film Semiotics Part 2: Syntagmatic vs Paradigmatic
17:19
Christian Metz's Semiotic Film Theory
Film & Media Studies
Christian Metz's Semiotic Film Theory
28:27
Diegetic vs Nondiegetic Sound Part 3: Voiceover
Film & Media Studies
Diegetic vs Nondiegetic Sound Part 3: Voiceover
6:37
Diegetic and Nondiegetic Sound, Part 2: Blurring the Boundary
Film & Media Studies
Diegetic and Nondiegetic Sound, Part 2: Blurring the Boundary
10:12
Diegetic vs Nondiegetic Sound, Part 1
Film & Media Studies
Diegetic vs Nondiegetic Sound, Part 1
21:02
Laura Mulvey and the Female Gaze
Film & Media Studies
Laura Mulvey and the Female Gaze
17:19
Discontinuity Editing Part 3: Sergei Eisenstein and Alfred Hitchcock
Film & Media Studies
Discontinuity Editing Part 3: Sergei Eisenstein and Alfred Hitchcock
5:16
Discontinuity Editing Part 2: Soviet Montage and Sergei Eisenstein
Film & Media Studies
Discontinuity Editing Part 2: Soviet Montage and Sergei Eisenstein
14:58
Judith Butler's Gender Performativity, Part 2: What is "Performativity?"
Film & Media Studies
Judith Butler's Gender Performativity, Part 2: What is "Performativity?"
13:24
Foucault's History of Sexuality, Vol. 1, Explained
Film & Media Studies
Foucault's History of Sexuality, Vol. 1, Explained
13:10
Continuity Editing, Part 4: Intensified Continuity, Chaos Cinema, and Mad Max: Fury Road
Film & Media Studies
Continuity Editing, Part 4: Intensified Continuity, Chaos Cinema, and Mad Max: Fury Road
22:33
What is Crosscutting?: Continuity Editing, Part 3
Film & Media Studies
What is Crosscutting?: Continuity Editing, Part 3
13:04
What is a Jump Cut?: Discontinuity Editing, Part 1
Film & Media Studies
What is a Jump Cut?: Discontinuity Editing, Part 1
15:54
Daisies: Discontinuity Editing, Feminism, and the Czech New Wave
Film & Media Studies
Daisies: Discontinuity Editing, Feminism, and the Czech New Wave
19:29
Sergei Eisenstein's Theory of Animation: Plasmatic Disney
Film & Media Studies
Sergei Eisenstein's Theory of Animation: Plasmatic Disney
8:21
The Other Side of Digital Cinema: Tangerine and Digital Realism
Film & Media Studies
The Other Side of Digital Cinema: Tangerine and Digital Realism
12:08
Oddly Satisfying Videos, ASMR, and Productivity
Film & Media Studies
Oddly Satisfying Videos, ASMR, and Productivity
7:54
Speed Racer (2008), Cel Animation, and Animetism
Film & Media Studies
Speed Racer (2008), Cel Animation, and Animetism
11:28
Continuity Editing Part 2: Cut, Fade, Dissolve
Film & Media Studies
Continuity Editing Part 2: Cut, Fade, Dissolve
20:02
What is Continuity Editing?
Film & Media Studies
What is Continuity Editing?
18:02
Camera Movement and Point of View: Letter from an Unknown Woman (1948)
Film & Media Studies
Camera Movement and Point of View: Letter from an Unknown Woman (1948)
23:15
What Can Camera Movement Do?
Film & Media Studies
What Can Camera Movement Do?
23:36
What is Off-Screen Space?
Film & Media Studies
What is Off-Screen Space?
23:41
Why Use a Close-Up?: Shot Scale and Angle
Film & Media Studies
Why Use a Close-Up?: Shot Scale and Angle
19:50
What is Cinematography, Part 1: Lens and Focal Length
Film & Media Studies
What is Cinematography, Part 1: Lens and Focal Length
21:22
What is Mise-en-scene, Part 3: Gesture and Performance
Film & Media Studies
What is Mise-en-scene, Part 3: Gesture and Performance
21:56
What is Mise-en-scene, Part 2: Lighting
Film & Media Studies
What is Mise-en-scene, Part 2: Lighting
7:41
What is Mise-en-scène?: Marie Antoinette (Coppola, 2006)
Film & Media Studies
What is Mise-en-scène?: Marie Antoinette (Coppola, 2006)
23:33
Form vs Content in Film, Explained
Film & Media Studies
Form vs Content in Film, Explained
18:23
The Philosophy of Disgust and Affect Theory
Film & Media Studies
The Philosophy of Disgust and Affect Theory
28:25
What is "Film Theory," Really?
Film & Media Studies
What is "Film Theory," Really?
25:52
What Unfriended (2014) Teaches Us About Buffering
Film & Media Studies
What Unfriended (2014) Teaches Us About Buffering
21:01
Unfriended (2014) and Andre Bazin's Realism
Film & Media Studies
Unfriended (2014) and Andre Bazin's Realism
14:26
Ordinary Media and Cinematic Innovation: Unfriended Part 1
Film & Media Studies
Ordinary Media and Cinematic Innovation: Unfriended Part 1
11:51
The Turing Test, Judith Butler's Gender Performativity, and Her (2013)
Film & Media Studies
The Turing Test, Judith Butler's Gender Performativity, and Her (2013)
13:23
Lev Manovich's "What is Digital Cinema" and "Compositing"
Film & Media Studies
Lev Manovich's "What is Digital Cinema" and "Compositing"
21:21
bell hooks's "The Oppositional Gaze" and Jordan Peele's Get Out (2017)
Film & Media Studies
bell hooks's "The Oppositional Gaze" and Jordan Peele's Get Out (2017)
21:21
bell hooks's "Oppositional Gaze: Black Female Spectators"
Film & Media Studies
bell hooks's "Oppositional Gaze: Black Female Spectators"
11:27
The Film Theory of Digital Special Effects
Film & Media Studies
The Film Theory of Digital Special Effects
15:04
Manthia Diawara's "Black Spectatorship: Problems of Identification and Resistance"
Film & Media Studies
Manthia Diawara's "Black Spectatorship: Problems of Identification and Resistance"
13:24
Pixar's WALL-E: Liberal Desire vs Programming
Film & Media Studies
Pixar's WALL-E: Liberal Desire vs Programming
29:19
Icon, Symbol, Index: C.S. Peirce's Three Signs
Film & Media Studies
Icon, Symbol, Index: C.S. Peirce's Three Signs
3:57
Staging the Unstaged: Realism in Killer of Sheep
Film & Media Studies
Staging the Unstaged: Realism in Killer of Sheep
7:40
Laura Mulvey's "Visual Pleasure and Narrative Cinema," Part 3: Vertigo
Film & Media Studies
Laura Mulvey's "Visual Pleasure and Narrative Cinema," Part 3: Vertigo
11:04
Mulvey's "Visual Pleasure and Narrative Cinema" Part Two: Identification
Film & Media Studies
Mulvey's "Visual Pleasure and Narrative Cinema" Part Two: Identification
14:37
Introduction to Laura Mulvey's "Visual Pleasure and Narrative Cinema"
Film & Media Studies
Introduction to Laura Mulvey's "Visual Pleasure and Narrative Cinema"
21:20
Bela Balazs, Jean Epstein, and Sigmund Freud: The Close Up, Part 2
Film & Media Studies
Bela Balazs, Jean Epstein, and Sigmund Freud: The Close Up, Part 2
17:23
Bela Balazs and Jean Epstein: The Close-Up
Film & Media Studies
Bela Balazs and Jean Epstein: The Close-Up
21:24
What is Photogenie?: Jean Epstein and The Master
Film & Media Studies
What is Photogenie?: Jean Epstein and The Master
19:00
Phenomenological Film Theory: World and Mood
Film & Media Studies
Phenomenological Film Theory: World and Mood
29:36
Intro to Phenomenology and Vivian Sobchack's Film Theory
Film & Media Studies
Intro to Phenomenology and Vivian Sobchack's Film Theory
33:28
Rudolf Arnheim's Formalist Film Theory Part 2: Playtime
Film & Media Studies
Rudolf Arnheim's Formalist Film Theory Part 2: Playtime
15:50
Rudolf Arnheim's Formalist Film Theory
Film & Media Studies
Rudolf Arnheim's Formalist Film Theory
21:44
Hugo Munsterberg, The Photoplay, and Arrival
Film & Media Studies
Hugo Munsterberg, The Photoplay, and Arrival
15:38
Hugo Munsterberg's The Photoplay
Film & Media Studies
Hugo Munsterberg's The Photoplay
18:27
Bazin's "Evolution of the Language of Cinema" Part 2
Film & Media Studies
Bazin's "Evolution of the Language of Cinema" Part 2
22:32
Andre Bazin's Evolution of the Language of Cinema
Film & Media Studies
Andre Bazin's Evolution of the Language of Cinema
16:58
Eisenstein, Battleship Potemkin, and Editing and Meaning
Film & Media Studies
Eisenstein, Battleship Potemkin, and Editing and Meaning
14:28
Kuleshov, Eisenstein, and Soviet Montage Theory
Film & Media Studies
Kuleshov, Eisenstein, and Soviet Montage Theory
19:09
Andre Bazin's "The Ontology of the Photographic Image," Part 2: Waltz with Bashir
Film & Media Studies
Andre Bazin's "The Ontology of the Photographic Image," Part 2: Waltz with Bashir
23:13
Andre Bazin's "Ontology of the Photographic Image"
Film & Media Studies
Andre Bazin's "Ontology of the Photographic Image"
22:16
Sound and Silence in Gravity: Fidelity vs Intelligibility
Film & Media Studies
Sound and Silence in Gravity: Fidelity vs Intelligibility
11:31
Sorry to Bother You as Political Art | Comolli and Narboni Part 3
Film & Media Studies
Sorry to Bother You as Political Art | Comolli and Narboni Part 3
10:33
Sorry to Bother You and Capitalist Ideology | Comolli and Narboni Part 2
Film & Media Studies
Sorry to Bother You and Capitalist Ideology | Comolli and Narboni Part 2
18:07
Comolli and Narboni's Cinema/Ideology/Criticism: Introduction
Film & Media Studies
Comolli and Narboni's Cinema/Ideology/Criticism: Introduction
12:02
Walter Benjamin, Politics, and Fascism: The "Work of Art" Part 3
Film & Media Studies
Walter Benjamin, Politics, and Fascism: The "Work of Art" Part 3
14:47
Walter Benjamin and Film's Lack of Aura: "The Work of Art" Part 2
Film & Media Studies
Walter Benjamin and Film's Lack of Aura: "The Work of Art" Part 2
13:41
Walter Benjamin and Aura: "The Work of Art in the Age of its Technological Reproducibility" Part 1
Film & Media Studies
Walter Benjamin and Aura: "The Work of Art in the Age of its Technological Reproducibility" Part 1
22:47
Jean-Louis Baudry's Apparatus Theory and Rear Window
Film & Media Studies
Jean-Louis Baudry's Apparatus Theory and Rear Window
14:59