Staudamm (Dam)
Cooke Optics
Staudamm (Dam)
4:48
Cooke Historical Showreel
Cooke Optics
Cooke Historical Showreel
4:29
Jimmy Wong interview with Cooke Optics
Cooke Optics
Jimmy Wong interview with Cooke Optics
5:21
Cooke Creative Centre Beijing
Cooke Optics
Cooke Creative Centre Beijing
0:49
The new collaborations that empower the cinematographers vision - Camerimage 2024
Cooke Optics
The new collaborations that empower the cinematographers vision - Camerimage 2024
1:55:16
Insights: Christopher Doyle - Simplicity
Cooke Optics
Insights: Christopher Doyle - Simplicity
1:03
And that's a wrap on Camerimage 2024!
Cooke Optics
And that's a wrap on Camerimage 2024!
1:32
SP3 Showreel
Cooke Optics
SP3 Showreel
1:09
Insight John de Borman - Sharpness
Cooke Optics
Insight John de Borman - Sharpness
0:47
SP3 Lens Aesthetic
Cooke Optics
SP3 Lens Aesthetic
2:26
Insight: Barry Ackroyd, BSC - Freedom
Cooke Optics
Insight: Barry Ackroyd, BSC - Freedom
1:18
SP3 18mm showreel
Cooke Optics
SP3 18mm showreel
1:11
Insights: Bradford Young - Utilising Focus
Cooke Optics
Insights: Bradford Young - Utilising Focus
1:27
Cooke Gallery - deep focus (part 1)
Cooke Optics
Cooke Gallery - deep focus (part 1)
3:39
Cooke Gallery - split-field focus
Cooke Optics
Cooke Gallery - split-field focus
3:03
Cooke Gallery - unique focus
Cooke Optics
Cooke Gallery - unique focus
2:17
Cooke Gallery - racking focus
Cooke Optics
Cooke Gallery - racking focus
2:50
Cooke Gallery - shallow focus
Cooke Optics
Cooke Gallery - shallow focus
2:47
Cooke Gallery - deep focus (part 2)
Cooke Optics
Cooke Gallery - deep focus (part 2)
2:46
Insight: Rodrigo Prieto - Energy
Cooke Optics
Insight: Rodrigo Prieto - Energy
1:37
Comandante – the data driven workflow; a presentation by David Stump, ASC, BVK
Cooke Optics
Comandante – the data driven workflow; a presentation by David Stump, ASC, BVK
51:24
S8/i FF and Varotal/i FF comparison video
Cooke Optics
S8/i FF and Varotal/i FF comparison video
5:59
Three-Body interview with Mr. Liu Yi, CNSC
Cooke Optics
Three-Body interview with Mr. Liu Yi, CNSC
3:39
Cooke Gallery London
Cooke Optics
Cooke Gallery London
1:06
Frybread Face and Me
Cooke Optics
Frybread Face and Me
2:05
Insights: Bradford Young - Finding Himself in the Stor y
Cooke Optics
Insights: Bradford Young - Finding Himself in the Stor y
1:55
Insights: Benoît Delhomme - Art and Film insight
Cooke Optics
Insights: Benoît Delhomme - Art and Film insight
1:15
2023 Cooke round up
Cooke Optics
2023 Cooke round up
1:12
Cooke at EnergaCAMERIMAGE
Cooke Optics
Cooke at EnergaCAMERIMAGE
1:19
Cooke SP3 demo reel
Cooke Optics
Cooke SP3 demo reel
2:45
Speed Panchro Legacy Film
Cooke Optics
Speed Panchro Legacy Film
3:43
Insights: Ben Davis - A Unique Experience
Cooke Optics
Insights: Ben Davis - A Unique Experience
1:03
Insights: John de Borman - Framing
Cooke Optics
Insights: John de Borman - Framing
0:57
Insights: Matthew Libatique - Character of Lenses
Cooke Optics
Insights: Matthew Libatique - Character of Lenses
1:28
Creating Cooke Lenses
Cooke Optics
Creating Cooke Lenses
4:26
The Dawn of NRT - A Metadata Story
Cooke Optics
The Dawn of NRT - A Metadata Story
4:56
Insights: Colin Tilley - Emotion
Cooke Optics
Insights: Colin Tilley - Emotion
1:16
Insights: Bradford Young - Intimacy
Cooke Optics
Insights: Bradford Young - Intimacy
0:55
Behind The Cine Lens Manual: The Cooke Look
Cooke Optics
Behind The Cine Lens Manual: The Cooke Look
1:43
Behind The Cine Lens Manual: Evolution of Lens Design
Cooke Optics
Behind The Cine Lens Manual: Evolution of Lens Design
4:13
Cooke Anamorphic/i FF Showreel
Cooke Optics
Cooke Anamorphic/i FF Showreel
1:10
Cooke S7/i FF Showreel
Cooke Optics
Cooke S7/i FF Showreel
1:07
Behind The Cine Lens Manual: Zoom Lenses
Cooke Optics
Behind The Cine Lens Manual: Zoom Lenses
3:45
Behind The Cine Lens Manual: Rebirth of S35
Cooke Optics
Behind The Cine Lens Manual: Rebirth of S35
5:12
British Cinematographer interview Cooke Varotal/i FF
Cooke Optics
British Cinematographer interview Cooke Varotal/i FF
2:29
Insights: Vittorio Storaro - Colour
Cooke Optics
Insights: Vittorio Storaro - Colour
1:37
Insights: Barry Ackroyd - Focus
Cooke Optics
Insights: Barry Ackroyd - Focus
1:22
Behind the Cine Lens Manual: The Nature of Lens Character
Cooke Optics
Behind the Cine Lens Manual: The Nature of Lens Character
7:46
Behind The Cine Lens Manual: Lens Manufacturers
Cooke Optics
Behind The Cine Lens Manual: Lens Manufacturers
3:55
Behind The Cine Lens Manual: What Makes a Lens
Cooke Optics
Behind The Cine Lens Manual: What Makes a Lens
2:53
Behind The Cine Lens Manual: Introduction
Cooke Optics
Behind The Cine Lens Manual: Introduction
5:44
Varotal/i FF - Demo Film
Cooke Optics
Varotal/i FF - Demo Film
3:59
S8/i FF - Demo Film
Cooke Optics
S8/i FF - Demo Film
2:54
S8/i FF - Demo Film
Cooke Optics
S8/i FF - Demo Film
2:21
Cooke Burbank
Cooke Optics
Cooke Burbank
1:36
Varotal/i FF - Demo film
Cooke Optics
Varotal/i FF - Demo film
3:41
Cooke All Lenses Showreel 2020-21
Cooke Optics
Cooke All Lenses Showreel 2020-21
8:47
Cooke S8 Lens Launch
Cooke Optics
Cooke S8 Lens Launch
9:20
Cooke 5/i Showreel 2020-21
Cooke Optics
Cooke 5/i Showreel 2020-21
0:58
Anamorphic/i Full Frame Plus Showreel 2020-21
Cooke Optics
Anamorphic/i Full Frame Plus Showreel 2020-21
1:10
Cooke Anamorphic/i SF Showreel 2020-21
Cooke Optics
Cooke Anamorphic/i SF Showreel 2020-21
0:59
Cooke MiniS4/i Showreel 2020-21
Cooke Optics
Cooke MiniS4/i Showreel 2020-21
1:04
Cooke Panchro/i Classic Showreel 2020-21
Cooke Optics
Cooke Panchro/i Classic Showreel 2020-21
1:12
Cooke S4/i Showreel 2020-21
Cooke Optics
Cooke S4/i Showreel 2020-21
1:12
Cooke S7/i Showreel 2020-21
Cooke Optics
Cooke S7/i Showreel 2020-21
1:02
Cooke Anamorphic/i Showreel 2020-21
Cooke Optics
Cooke Anamorphic/i Showreel 2020-21
1:12
Cooke Varotal/i FF Zoom lens comparison with the S7/i FF Prime lens
Cooke Optics
Cooke Varotal/i FF Zoom lens comparison with the S7/i FF Prime lens
3:54
BSC Expo 2022 | Cooke Optics
Cooke Optics
BSC Expo 2022 | Cooke Optics
2:44
Directing Music Videos | Colin Tilley
Cooke Optics
Directing Music Videos | Colin Tilley
3:31
What is the hardest to master in cinematography? | Cinematography Roundtable
Cooke Optics
What is the hardest to master in cinematography? | Cinematography Roundtable
6:51
Lawrence Sher on Pre-Production in Film
Cooke Optics
Lawrence Sher on Pre-Production in Film
5:15
Billy Williams' Cinematography Inspirations
Cooke Optics
Billy Williams' Cinematography Inspirations
5:47
The Cinematography of Fight Club | Jeff Cronenweth
Cooke Optics
The Cinematography of Fight Club | Jeff Cronenweth
5:50
The Cinematography of The French Dispatch
Cooke Optics
The Cinematography of The French Dispatch
9:29
'The Green Knight' Director on Filmmaking
Cooke Optics
'The Green Knight' Director on Filmmaking
5:34
Working with Ridley Scott | Dariusz Wolski
Cooke Optics
Working with Ridley Scott | Dariusz Wolski
5:10
Filming in Direct Sunlight - Ahmad Al Morsy
Cooke Optics
Filming in Direct Sunlight - Ahmad Al Morsy
3:39
Handheld Camera Operating | Peter Robertson and Rodrigo Gutierrez
Cooke Optics
Handheld Camera Operating | Peter Robertson and Rodrigo Gutierrez
7:20
Working with the Director | Cinematography Roundtable
Cooke Optics
Working with the Director | Cinematography Roundtable
8:30
Developments in Cinematography | Oliver Stapleton
Cooke Optics
Developments in Cinematography | Oliver Stapleton
11:59
Cinematographer deconstructs THAT shot in 'Contact' | Don Burgess
Cooke Optics
Cinematographer deconstructs THAT shot in 'Contact' | Don Burgess
5:56
The cinematography of the Sopranos | Alik Sakharov
Cooke Optics
The cinematography of the Sopranos | Alik Sakharov
6:16
Cinematographer Roundtable - Working with Practical Lighting
Cooke Optics
Cinematographer Roundtable - Working with Practical Lighting
6:51
Cinematographer Roundtable - Working with the Gaffer
Cooke Optics
Cinematographer Roundtable - Working with the Gaffer
5:52
How to block a film scene for camera operators | Peter Robertson and Rodrigo Gutierrez
Cooke Optics
How to block a film scene for camera operators | Peter Robertson and Rodrigo Gutierrez
5:46
Newton Thomas Sigel on the Making of Drive
Cooke Optics
Newton Thomas Sigel on the Making of Drive
4:25
The Trial of the Chicago 7 Exclusive Interview | Oscars 2021
Cooke Optics
The Trial of the Chicago 7 Exclusive Interview | Oscars 2021
19:32
The Cinematography of Minari | Oscars 2021 Exclusive Interview
Cooke Optics
The Cinematography of Minari | Oscars 2021 Exclusive Interview
22:30
The Cinematography of 'One Night in Miami' | Oscars 2021 Exclusive
Cooke Optics
The Cinematography of 'One Night in Miami' | Oscars 2021 Exclusive
20:54
Pixar's Soul | Oscars 2021 Exclusive Interview
Cooke Optics
Pixar's Soul | Oscars 2021 Exclusive Interview
29:11
Judas and the Black Messiah | Oscars 2021 Exclusive
Cooke Optics
Judas and the Black Messiah | Oscars 2021 Exclusive
27:17
Robert Yeoman - Shooting Exterior shots
Cooke Optics
Robert Yeoman - Shooting Exterior shots
5:14
Lighting Techniques by Hollywood Gaffer
Cooke Optics
Lighting Techniques by Hollywood Gaffer
5:22
Don Burgess Deconstructs Forrest Gump
Cooke Optics
Don Burgess Deconstructs Forrest Gump
9:10
Simplifying Film Lighting | Cinematography Roundtable
Cooke Optics
Simplifying Film Lighting | Cinematography Roundtable
6:04
The Cinematography of Natasha Braier
Cooke Optics
The Cinematography of Natasha Braier
9:02
How to light a water commercial | Geoff Boyle
Cooke Optics
How to light a water commercial | Geoff Boyle
1:31
Filming during COVID with Ridley Scott | Dariusz Wolski
Cooke Optics
Filming during COVID with Ridley Scott | Dariusz Wolski
3:16
What Cinematographers Have Learnt From Their Mistakes | Roundtable
Cooke Optics
What Cinematographers Have Learnt From Their Mistakes | Roundtable
11:45
Recreating Sunlight in Film | Autumn Durald
Cooke Optics
Recreating Sunlight in Film | Autumn Durald
4:02
Newton Thomas Sigel answers your questions
Cooke Optics
Newton Thomas Sigel answers your questions
7:17
The Usual Suspects Cinematographer Deconstructs Famous Scenes
Cooke Optics
The Usual Suspects Cinematographer Deconstructs Famous Scenes
6:47
What early projects taught us about Camera Operating | Peter Robertson and Rodrigo Gutierrez
Cooke Optics
What early projects taught us about Camera Operating | Peter Robertson and Rodrigo Gutierrez
5:58
Do Camera and Lenses affect lighting? || Julian White
Cooke Optics
Do Camera and Lenses affect lighting? || Julian White
4:58
Using fewer lights || Seamus McGarvey
Cooke Optics
Using fewer lights || Seamus McGarvey
3:46
Cinematography Advice From Our Mentors | Roundtable
Cooke Optics
Cinematography Advice From Our Mentors | Roundtable
7:52
How I Approach Lighting | Robert Yeoman
Cooke Optics
How I Approach Lighting | Robert Yeoman
5:09
How Cinematographers Broke into the Film Industry
Cooke Optics
How Cinematographers Broke into the Film Industry
30:31
Advice for working in the film industry | Oliver Stapleton
Cooke Optics
Advice for working in the film industry | Oliver Stapleton
5:07
Cinematography Advice For Our Younger Selves | Roundtable
Cooke Optics
Cinematography Advice For Our Younger Selves | Roundtable
11:55
Filming short films | Bradford Young
Cooke Optics
Filming short films | Bradford Young
4:20
How Pixar Movies Are Made | Jim Morris | Spotlight
Cooke Optics
How Pixar Movies Are Made | Jim Morris | Spotlight
7:03
The Art of Steadicam Operating in Cinema
Cooke Optics
The Art of Steadicam Operating in Cinema
12:39
BSC Retropsective - Suzie Lavelle BSC ISC talks about NORMAL PEOPLE
Cooke Optics
BSC Retropsective - Suzie Lavelle BSC ISC talks about NORMAL PEOPLE
1:25:53
BSC: A Restrospective with Roger Deakins CBE ASC BSC
Cooke Optics
BSC: A Restrospective with Roger Deakins CBE ASC BSC
1:36:51
Star Wars Cinematographer discusses his approach to lighting
Cooke Optics
Star Wars Cinematographer discusses his approach to lighting
5:03
Cinematography Masterclass: Filming Daytime Exteriors | Roundtable
Cooke Optics
Cinematography Masterclass: Filming Daytime Exteriors | Roundtable
13:53
Cinematography Masterclass: Filming Night Scenes | Roundtable
Cooke Optics
Cinematography Masterclass: Filming Night Scenes | Roundtable
11:02
Cinematography and Production Design in Film || Seamus McGarvey
Cooke Optics
Cinematography and Production Design in Film || Seamus McGarvey
6:42
Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White
Cooke Optics
Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White
6:45
Bollywood Cinematographer deconstructs his films || Sudeep Chatterjee
Cooke Optics
Bollywood Cinematographer deconstructs his films || Sudeep Chatterjee
8:55
Pixar Cinematographers Deconstruct Onward - Exclusive Behind the Scenes Video
Cooke Optics
Pixar Cinematographers Deconstruct Onward - Exclusive Behind the Scenes Video
8:36
The Role of the Camera Operator | Rodrigo Gutierrez and Peter Robertson
Cooke Optics
The Role of the Camera Operator | Rodrigo Gutierrez and Peter Robertson
9:53
Oliver Stapleton - What Film School teaches you & the NFTS
Cooke Optics
Oliver Stapleton - What Film School teaches you & the NFTS
7:07
Hollywood Cinematographer Shares Philosophy | Ben Davis
Cooke Optics
Hollywood Cinematographer Shares Philosophy | Ben Davis
7:43
Robert Yeoman - The Visual Grammar of Film
Cooke Optics
Robert Yeoman - The Visual Grammar of Film
6:18
Cinematography Lighting Tips: Practicals and Night Scenes || Julian White || Masterclass
Cooke Optics
Cinematography Lighting Tips: Practicals and Night Scenes || Julian White || Masterclass
5:13
The cinematography of Star Wars: The Force Awakens || Dan Mindel
Cooke Optics
The cinematography of Star Wars: The Force Awakens || Dan Mindel
8:41
The Cinematography of Joker || Case Study || Lawrence Sher
Cooke Optics
The Cinematography of Joker || Case Study || Lawrence Sher
11:04
The Cinematography of Chernobyl || Case Study
Cooke Optics
The Cinematography of Chernobyl || Case Study
7:15
The Irishman Cinematography Featurette by Rodrigo Prieto
Cooke Optics
The Irishman Cinematography Featurette by Rodrigo Prieto
11:17
Deconstructing long take camera movement || Seamus McGarvey || Spotlight
Cooke Optics
Deconstructing long take camera movement || Seamus McGarvey || Spotlight
7:34
Deconstructing a big budget commercial || Natasha Braier
Cooke Optics
Deconstructing a big budget commercial || Natasha Braier
5:54
Cinematographers: What is your favourite light and why? || Spotlight
Cooke Optics
Cinematographers: What is your favourite light and why? || Spotlight
6:15
How to communicate your vision on a film set || Bradford Young
Cooke Optics
How to communicate your vision on a film set || Bradford Young
3:23
Wes Anderson's Shots: Deconstructed by cinematographer Robert Yeoman
Cooke Optics
Wes Anderson's Shots: Deconstructed by cinematographer Robert Yeoman
6:17
Capturing the reality in cinematography || Barry Ackroyd
Cooke Optics
Capturing the reality in cinematography || Barry Ackroyd
5:41
Essential Lighting Kit for an Indie Film Production || Julian White || Spotlight
Cooke Optics
Essential Lighting Kit for an Indie Film Production || Julian White || Spotlight
3:45
The cinematography of Edgar Wright and Hot Fuzz || Jess Hall || Case Study
Cooke Optics
The cinematography of Edgar Wright and Hot Fuzz || Jess Hall || Case Study
6:05
The Cinematography of Gandhi || Billy Williams || Case Study
Cooke Optics
The Cinematography of Gandhi || Billy Williams || Case Study
9:02
Working with LUTs || Ben Davis
Cooke Optics
Working with LUTs || Ben Davis
3:42
Working with Anamorphic Lenses || Dan Mindel || Spotlight
Cooke Optics
Working with Anamorphic Lenses || Dan Mindel || Spotlight
6:45
Citizen Kane & Apocalypse Now || Geoff Boyle || Deconstructing Cinematography
Cooke Optics
Citizen Kane & Apocalypse Now || Geoff Boyle || Deconstructing Cinematography
9:29
Using colour in cinematography || Seamus McGarvey || Masterclass
Cooke Optics
Using colour in cinematography || Seamus McGarvey || Masterclass
6:22
The cinematography of The Empire Strikes Back || Peter Suschitsky || Case Study
Cooke Optics
The cinematography of The Empire Strikes Back || Peter Suschitsky || Case Study
7:30
Cinematography preparation || Bradford Young
Cooke Optics
Cinematography preparation || Bradford Young
3:50
What is the Future of Cinematography || Vittorio Storaro
Cooke Optics
What is the Future of Cinematography || Vittorio Storaro
4:54
The Art Direction of Aliens || Terry Ackland-Snow || Spotlight
Cooke Optics
The Art Direction of Aliens || Terry Ackland-Snow || Spotlight
7:36
Working with large format cameras || Greig Fraser || Spotlight
Cooke Optics
Working with large format cameras || Greig Fraser || Spotlight
2:50
Utilising Natural Lighting & Long Takes || Ben Davis || Spotlight
Cooke Optics
Utilising Natural Lighting & Long Takes || Ben Davis || Spotlight
6:29
Working with Darren Aronofsky || Matthew Libatique
Cooke Optics
Working with Darren Aronofsky || Matthew Libatique
5:29
Filming Commercials || Autumn Durald || Spotlight
Cooke Optics
Filming Commercials || Autumn Durald || Spotlight
4:13
Deconstructing Film Lighting || Masterclass by gaffer Julian White
Cooke Optics
Deconstructing Film Lighting || Masterclass by gaffer Julian White
6:08
Aspect Ratio in Cinema: Explained by Seamus McGarvey || Spotlight
Cooke Optics
Aspect Ratio in Cinema: Explained by Seamus McGarvey || Spotlight
6:22
The Cinematography of Barry Jenkins with James Laxton | Spotlight
Cooke Optics
The Cinematography of Barry Jenkins with James Laxton | Spotlight
6:03
Marvel Cinematography Masterclass Part 2 || Ben Davis || Masterclass
Cooke Optics
Marvel Cinematography Masterclass Part 2 || Ben Davis || Masterclass
7:00
Marvel Cinematography Masterclass Part 1 || Ben Davis || Masterclass
Cooke Optics
Marvel Cinematography Masterclass Part 1 || Ben Davis || Masterclass
7:52
The cinematography of A Star is Born || Matthew Libatique || Case Study
Cooke Optics
The cinematography of A Star is Born || Matthew Libatique || Case Study
7:04
How & Why I choose lenses || Bradford Young || Spotlight
Cooke Optics
How & Why I choose lenses || Bradford Young || Spotlight
4:22
Lighting Masterclass || Billy Williams || Masterclass
Cooke Optics
Lighting Masterclass || Billy Williams || Masterclass
7:14
The Shape of Water scene deconstruction || Dan Laustsen || Case Study
Cooke Optics
The Shape of Water scene deconstruction || Dan Laustsen || Case Study
4:31
The cinematography of At Eternity's Gate || Benoit Delhomme || Case Study
Cooke Optics
The cinematography of At Eternity's Gate || Benoit Delhomme || Case Study
7:25
Women in the film industry || Rachel Morrison || Spotlight
Cooke Optics
Women in the film industry || Rachel Morrison || Spotlight
5:17
The Ballad of Buster Scruggs & The Coen Brothers || Bruno Delbonnel || Case Study
Cooke Optics
The Ballad of Buster Scruggs & The Coen Brothers || Bruno Delbonnel || Case Study
4:28
Stanley Kubrick's Production Design || Terry Akland Snow || Spotlight
Cooke Optics
Stanley Kubrick's Production Design || Terry Akland Snow || Spotlight
5:19
The cinematography of Captain Phillips || Barry Ackroyd || Case Study
Cooke Optics
The cinematography of Captain Phillips || Barry Ackroyd || Case Study
7:11
Camera & lens choices in the new generation || Spotlight
Cooke Optics
Camera & lens choices in the new generation || Spotlight
8:17
Working with Nick Park at Aardman Animations || Dave Alex Riddett
Cooke Optics
Working with Nick Park at Aardman Animations || Dave Alex Riddett
3:22
The role of the Film Producer || Paula Wagner || Spotlight
Cooke Optics
The role of the Film Producer || Paula Wagner || Spotlight
3:36
The Cinematography of Life of Pi || Claudio Miranda || Case Study
Cooke Optics
The Cinematography of Life of Pi || Claudio Miranda || Case Study
4:58
The cinematography of Arrival || Bradford Young || Spotlight
Cooke Optics
The cinematography of Arrival || Bradford Young || Spotlight
8:18
Working with Wong Kar Wai || Christopher Doyle || Working with the Director
Cooke Optics
Working with Wong Kar Wai || Christopher Doyle || Working with the Director
4:47
What Is The Future of Cinematography? || Spotlight
Cooke Optics
What Is The Future of Cinematography? || Spotlight
4:29
My Cinematography Method || Barry Ackroyd || Spotlight
Cooke Optics
My Cinematography Method || Barry Ackroyd || Spotlight
10:14
The Role of the Art Director and Production Designer || Terry Ackland Snow
Cooke Optics
The Role of the Art Director and Production Designer || Terry Ackland Snow
5:30
Forget The Numbers || Geoff Boyle || Spotlight
Cooke Optics
Forget The Numbers || Geoff Boyle || Spotlight
7:01
The Godfather Part II Cinematography Analysis || Mike Eley
Cooke Optics
The Godfather Part II Cinematography Analysis || Mike Eley
4:58
What Film Students Need to Know || Billy Williams || Spotlight
Cooke Optics
What Film Students Need to Know || Billy Williams || Spotlight
8:07
The Craft of Film Editing || Paul Hirsch || Spotlight
Cooke Optics
The Craft of Film Editing || Paul Hirsch || Spotlight
6:01
There Will Be Blood Cinematography Analysis || Autumn Durald
Cooke Optics
There Will Be Blood Cinematography Analysis || Autumn Durald
4:09
Wes Anderson's Production Design || Grand Budapest Hotel
Cooke Optics
Wes Anderson's Production Design || Grand Budapest Hotel
3:29
Cinematography: The Language of Colour || Vittorio Storaro
Cooke Optics
Cinematography: The Language of Colour || Vittorio Storaro
6:27
The Hardest Thing About Your Job In The Film Industry || Spotlight
Cooke Optics
The Hardest Thing About Your Job In The Film Industry || Spotlight
7:36
Vittorio Storaro || Cinematography as Art
Cooke Optics
Vittorio Storaro || Cinematography as Art
3:34
The Cinematography of Black Panther || Rachel Morrison || Case Study
Cooke Optics
The Cinematography of Black Panther || Rachel Morrison || Case Study
4:44
The Cinematography of The Shape of Water || Dan Laustsen || Case Study
Cooke Optics
The Cinematography of The Shape of Water || Dan Laustsen || Case Study
3:03
The Cinematography of Three Billboards Outside Ebbing, Missouri || Ben Davis || Case Study
Cooke Optics
The Cinematography of Three Billboards Outside Ebbing, Missouri || Ben Davis || Case Study
4:39
The cinematography behind Stranger Things and Mr Robot || Tod Campbell || Case Study
Cooke Optics
The cinematography behind Stranger Things and Mr Robot || Tod Campbell || Case Study
5:14
How to Shoot Documentaries || Mike Eley || Masterclass
Cooke Optics
How to Shoot Documentaries || Mike Eley || Masterclass
6:18
Behind the Commercial: Smirnoff || Autumn Durald || Spotlight
Cooke Optics
Behind the Commercial: Smirnoff || Autumn Durald || Spotlight
4:15
Lighting Tips: Bounce and Negative Fill || Bradford Young || Spotlight
Cooke Optics
Lighting Tips: Bounce and Negative Fill || Bradford Young || Spotlight
4:10
Make pretty pictures, not accurate pictures || Spotlight || Geoff Boyle
Cooke Optics
Make pretty pictures, not accurate pictures || Spotlight || Geoff Boyle
4:26
Researching the Film/Lighting References || Ben Smithard || Spotlight
Cooke Optics
Researching the Film/Lighting References || Ben Smithard || Spotlight
7:02
Blade Runner Cinematography Analysis || Geoff Boyle/Nic Knowland
Cooke Optics
Blade Runner Cinematography Analysis || Geoff Boyle/Nic Knowland
9:37
Lighting Practical Sources in Film || Bradford Young || Cine School
Cooke Optics
Lighting Practical Sources in Film || Bradford Young || Cine School
5:44
Sexy Beast Cinematography Analysis (Part 2) || Deconstructing Cinematography || Ben Smithard
Cooke Optics
Sexy Beast Cinematography Analysis (Part 2) || Deconstructing Cinematography || Ben Smithard
6:26
How to manage Post Production (Part 2) || The Film Production Process
Cooke Optics
How to manage Post Production (Part 2) || The Film Production Process
5:33
Digital Sensors and Dynamic Range (Part 2) || Spotlight || Geoff Boyle
Cooke Optics
Digital Sensors and Dynamic Range (Part 2) || Spotlight || Geoff Boyle
5:59
Digital Sensors and Dynamic Range (Part 1) || Spotlight || Geoff Boyle
Cooke Optics
Digital Sensors and Dynamic Range (Part 1) || Spotlight || Geoff Boyle
6:37
How to manage Post Production (Part 1) || The Film Production Process
Cooke Optics
How to manage Post Production (Part 1) || The Film Production Process
6:30